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Seating
PIERRE GUARICHE ROBERT ARMCHAIR FOR MEUROP, FRANCE, 1962
Robert armchair designed by the French designer and architect Pierre Guariche for the Belgian furniture manufacturer Meurop, a reference in European modernist design.
Guariche is a key figure in 20th-century industrial and interior design. He became creative director of Meurop in 1967, a period during which he developed some of his most iconic pieces.
The arrmchair features wooden armrests that have been restored while preserving their original form and authenticity. The seat has been fully reupholstered in a premium mustard-toned fabric, adding comfort and a refined contemporary presence.
The black lacquered metal frame has been preserved in its original condition, without restoration, showing only natural signs of age that enhance the character and history of the piece.
Dimensions: L63cm x W80cm x H76cm x SeatH42cm
Pierre Guariche (1926–1995)
Pierre Guariche was a French designer and one of the most important figures in 20th-century European post-war design, particularly active between the 1950s and 1970s. His work combines rigorous functionality, technical innovation, and a discreet elegance typical of French modernism.
Trained at the École Nationale Supérieure des Arts Décoratifs, Guariche began his career in the studio of Marcel Gascoin, where he absorbed principles of rationality and economy of means. He quickly developed his own language—more experimental and lighter than many of his contemporaries.
He became especially known for his work in lighting and furniture. He created iconic pieces such as sculptural metal and acrylic lamps, chairs in bent wood and steel, and modular furniture solutions designed for modern living. Many of his designs were produced by companies such as Steiner and Meurop, where he helped democratize good design—bringing well-designed objects to a wider audience without sacrificing sophistication.
One of his most significant contributions was his ability to merge industrial production with aesthetic sensitivity. Guariche did not see design as luxury, but as intelligence applied to everyday life—a concept that is now central to contemporary design.
Although he did not achieve the same international fame as some of his peers, his work is now highly valued by collectors and design galleries for its formal purity, innovation, and timelessness.